Showing posts with label 1970. Show all posts
Showing posts with label 1970. Show all posts

Sunday, October 16, 2016

DARK SHADOWS TITLE BUMPER CARD


Here is a title bumper card (I think that is what they are called) for Dark Shadows. This is obviously later in the run of the show (1970), because it features Roxanne Drew (Donna Wandrey), who was Barnabas Collins love interest at the time. Also, you'll notice Jonathan Frid's hair is not in those plastered bangs that he wore in the earlier episodes.

The title bumper card usually was seen when the network was having "technical difficulties."


Friday, February 5, 2016

DESDINOVA'S 25 GREATEST GUITAR INTROS OF THE 70s


One of the earmarks of 70s rock was the guitar intro. Some have called it a trend, but in reality, they were perfected in the 70s. Lets face it, the first one in rock & roll was Chuck Berry's open to "Johnny B. Good," followed by Buddy Holly's noodling at the beginning of "That Will Be the Day" and we should mention Dave Appell's riff at the beginning of  John Zacherely"s"Dinner With Drac."

The 60s brought the British Invasion, garage bands and psychedelic rock, all of which paved the way for heavy metal and prog rock of the 70s. I could do a whole post on 60s guitar intros too. Everything from "Day Tripper," "Satisfaction," "You Really Got Me," "I Can See For Miles," "Eight Miles High," "Pleasant Valley Sunday," "Sunshine of Your Love," "Who's Gonna Mow Your Grass"...like I said enough for another post.

The 80s & 90s had some great ones too, by Guns N Roses, R.E.M, Van Halen, Loverboy, Nirvana, just to name a few. That also could be another post.

In researching this subject, I realize that not every song began with a rocking guitar intro. Some of the biggest hard rock songs of the 70s began with a slow acoustic guitar build up before the hard rocking guitars began. The obvious example is Led Zeppelin's "Stairway To Heaven." Also in this group would be Boston's "More Than a Feeling," Kiss's "Black Diamond," Heart's "Crazy On You" and Chilliwack's "Fly By Night."

Also some of the great guitar riffs are preceded by keyboard parts. I ruled those songs out, because I wanted to list those that kick off the song in a big way or at least start song of within a short time. 

I'm going to rank these. I usually don't do that but with this list it would be impossible not to do so. I'm sure some will want to argue, I guess I will accept it.

1.  "Layla" - Derek & the Dominoes: If I hadn't listed this as the number one guitar riff of the 70s, there would have been an outcry all over the Internet. This is one of the songs, if not the song, that set the standard for 70s guitar intros.

2.  "All Right Now" - Free: Like "Layla," it is one of the Class of 1970. This one is simple, but punches you right between the eyes.  Steve Miller wrote "Rock N Me" as a tribute to Free guitarist Paul Kossoff.

3.  "China Grove" - Doobie Brothers: This one was the guitar intro for mainstream pop-rock. This 1973 hit was the great guitar intro for AM radio. Granted, the top two were big AM radio hits too, but this one cemented the idea that a big hit needed a big guitar into, no matter what style of music you did.

4.  "Smoke On the Water" - Deep Purple: Anyone who doesn't try to play this the first time they pick up a guitar, has no business even holding a guitar. The great thing about it is that even if you are lousy and never held a guitar, people can tell that you are attempting to play this song. Like "China Grove" this was 1973.

5.  "Whole Lotta Love" - Led Zeppelin: I had to put Led Zep in the Top 5. Another one from 1970.

6.  "Life In the Fast Lane" - The Eagles: If you were cruising the main drag of your town on a Friday night, there wasn't a better song to have on the radio than this one. Hard to believe there are some people who don't like this song. In a good country, they would be executed for not liking that song.

7.  "Sweet Jane" - Lou Reed: This is an anomaly. Many people consider it one of the greatest guitar intros of the 70s, but it wasn't until the fourth version of the song that it people probably noticed it. The Velvet Underground's 1970 version actually opens with a psychedelic flourish before Lou Reed starts singing. The original version, not released until 1974 on the Live 1969 LP,  was a slow ballad, but still using that familiar riff. The version on the 1972 Live at Max's Kansas City LP actually has a longer intro with the riff. However, the version that more than likely made this one of the great 70s guitar intros was the version from the 1973 Lou Reed live LP Rock & Roll Animal. Guitarist Steve Hunter and Dick Wagner gave this a metal crunch that hits you like a sledge hammer to the head.

8.  "Iron Man" - Black Sabbath: Speaking of metal crunch that hits you like a sledge hammer to the head. Ozzy Osbourne said it best, when you hear this you actually imagine "a big metal bloke walking about." Beavis & Butthead would probably agree.

9.   "Jet Airliner" - Steve Miller Band: This is one of those that sounded better on AM radio than FM. I also think the single edit is better because it goes from the intro into the lyrics, whereas the LP cut goes into a rather redundant guitar bridge before the lyrics. Either way, it is a 70s classic.

10.  "Takin Care of Business" - Bachman-Turner Overdrive: This one builds up on a scale into a upbeat, fun,  heavy metal, boogie woogie jam.

11.  "Long Cool Woman (In a Black Dress)" - The Hollies:  This one can send chills up my spine when I hear it. Not sure why. The fact that the light and innocent Hollies gave us this may have something to do with it. It's as sexy as...well, a long cool woman in a black dress.

12. "Treat Her Like a Lady" - Cornelius Brothers & Sister Rose: Usually, soul & funk doesn't get mentioned in the pantheon of great guitar songs of the 70s, but they had some great guitar riffs and intros too. This is one of them. Much like "Takin Care of Business" builds up the scale into a great driving riff. It's so cool, it was used to introduce Ron Burgundy in Anchorman.

13. "Don't Fear The Reaper" - Blue Oyster Cult: Forget the cowbell, the guitar is what makes this song a classic. It is like a Byrds guitar riff on steroids. Not sure if it was on a 12 string guitar or it just sounded like one, but it certainly has a beauty to it that the others guitar intros don't.

14.  "Aqualung" - Jethro Tull: What better way to introduce a song about a homeless, drunken, pedophile with a runny nose than with a sinister guitar riff like this. One of the brilliant moves, on the part of the band, to make this guitar intro so memorable was to not just play it twice, but to isolate it with pauses between each of the two times it is played before the third time when the drums and Ian Anderson's vocal starts. They do almost the same thing at the end of the song, to further get it stuck in your head.

15. "Funk 49#" - The James Gang: The previous years "Funk 48#" was good, but "Funk 49#" was better. It has went on to become a favorite. One of Joe Walsh's early masterpiece guitar riffs.

16. "Stay With Me" - The Faces: During the early 70s, Ron Wood created some great guitar intros for The Faces, but this is the one that has stood the test of time. A bluesy riff that the kicks into high gear, then slows into a rollicking bluesy stroll. No wonder the Rolling Stones ask him to join.

17. "Can't You Hear Me Knocking" - The Rolling Stones: Speaking of the Rolling Stones, you have to include them on a list of great guitar intros, however, they didn't seem to create elaborate, signature guitar intros in the 70s. They had already set the standard in the 60s with "Satisfaction," "Jumping Jack Flash," and the "The Last Time." They gave us one of the great guitar intros of the 80s with "Start Me Up." This one is not just a great guitar intro but a great guitar finish. Keith Richards starts it off with nasty blues riff in an odd key that turns into a jam when joined by Charlie Watts drums. It ends with a psychedelic smooth jazz jam with guitarist Mick Taylor and saxophonist Bobbie Keys.

18. "Do Yo Feel Like We Do" - Peter Frampton: This intro is perfect for a song about waking up confused. It has a slow, groggy, fuzztone scale, that is then matched note for note by a electric piano. I know it is considered blasphemous to some people, but I prefer the original version from the Framptom's Camel LP to the version on Framptom Comes Alive, because the sound is crisper, it is shorter and he doesn't do that annoying talk box thing in it.

19. "Beautiful Girls" - Van Halen: Eddie Van Halen packed a wild party filled with bikini clad girls into this guitar intro.

20. "Panic In Detroit" - David Bowie: There are several of great guitar intros from Mick Ronson on David Bowie's hits. This one is not only is it underrated, but it is so tight and and so forceful, it punctuates Bowie's William Burroughs inspired, dystopian lyrics.

21. "Reelin In the Years" - Steely Dan: They were more of a keyboard band, but this guitar intro is a classic.

22. "Woodstock" - Crosby, Stills, Nash & Young: Stephen Stills guitar intro made this one the most successful version of this rock anthem.

23. "Do Ya" - The Move/Electric Light Orchestra: This is kind of a tie, but then again The Move morphed into ELO.

24. "Jane" - Jefferson Starship: This one was one of two great guitar intros to close out the 70s. Craig Chaquico starts off with a light, spacey sound before turning out a chainsaw like riff that builds up to a sudden stop in the middle of the song, followed by one of the great guitar solos of the 70s.

25. "Driver's Seat" - Sniff N The Tears: This is the other great guitar intro that closed out the 70s. It begins with a rather intense sounding acoustic guitar part that is then joined by a fuzz guitar riff. Together it works into a great underrated open for a British New Wave one-hit wonder.

Honorable Mentions: "20th Century Boy" -T. Rex, "Stone Cold Fever" - Humble Pie, "Thunderbuck Ram" - Mott The Hoople, "Calling Dr. Love" - Kiss, "Man on the Silver Mountain" - Rainbow, "That Smell" - Lynard Skynard, "The Seeker" - The Who, "That Lady" - The Isley Brothers and "Don't Look Back" - Boston.

                   

Sunday, March 23, 2014

Female Comic Strip Character Movie No. 3: FRIDAY FOSTER

The only Friday Foster comic book ever
We have all experienced that feeling. We watch a movie that we thought was great when we first saw it, only to realize it is not that great. That was what I experienced with the 1975 Friday Foster movie. I probably should say the only Friday Foster movie, since the comic strip Friday Foster only lasted from 1970 until 1974. It is doubtful that there will ever be another Friday Foster movie.


This movie is a perfect example of what comic fans had to put up with in film adaptations prior to Superman the Movie and other more recent films. The producers licensed the characters but did not attempt to create the world of the comic strip/book. Granted, Friday Foster was a character of her times. Her story lines were similar to other soap opera strips as Mary Worth, Apartment 3-G or The Heart of Juliet Jones, with a dash of Brenda Starr thrown in, since Friday worked as a magazine photographer. Basically, the producers made a blaxploitation movie about Friday Foster.

Pam Grier as Friday Foster

First off, Friday is played by Pam Grier, who is absolutely beautiful and incredibly sexy in this movie. I also believe she is more attractive that the comic strip character. The character was created by Jorge Longarion and modeled after model Donyale Luna. As with Brooke Shields in Brenda Starr, Pam Grier plays Friday Foster as a cute and fashionable, but gutsy and resourceful photographer.

In looking at the few examples of the comic strip available on the web, I noticed most of the stories featured her boss, Shawn North, playing a major role. In the movie, Shawn has a small role. The actor playing the part is more Sean Cassidy than the Shawn North of the comic strip. Friday's version of Basil St. John is Blake Tarr (Thalmus Rasulala), who we are lead to believe is the villain for most of the movie. Colt Hawkins in the comic strip was an author of detective novels and good friend of Shawn North. In the movie, Colt (Yaphet Kotto) is Friday's boyfriend and a private eye. Friday's brother, Cleve (Tierre Turner), is not sweet, idolizing little brother of the comic strip, but a joking flimflam artist.

I'm Issac, I'll be your pimp in this movie.

Where the film has problems is when you incorporate the cliches of blaxiploitation films into a movie about a comic strip character. Cleve is making money selling the presents that are meant for his sister from a pimp named Fancy (played by The Love Boat's Ted Lange). He wants Friday to work for him. Fancy refers to his women with the B-word and his business using a word that beginning with S.

Friday's best friend from her modeling days is stabbed backstage at a fashion show hosted by Madame Rena (played by Eartha Kitt). When Colt and a potato chip munching police detective ask who would be behind the killing, she names a rival fashion designer, Ford Malotte (Godfrey Cambridge). She then calls him a "faggot who couldn't design a handkerchief." Friday and Colt goes to meet Mallote at a bar called the Butterfly. The bar is filled with drag queens. After speaking with a waitress with a manly voice, Colt says that "His muscles are bigger than mine." Friday replies "That isn't all that he has that is bigger than yours." Cambridge plays Malotte as an over-the-top gay stereotype.

The N-word is used quite a bit in the film. Friday is also naked in several scenes. Not that seeing Pam Grier naked is a bad thing, but unlike with Kiss Me, Kill Me, there was no nudity in the comic strip Friday Foster. One might say that Friday Foster had too much nudity in her movie and Valentina didn't have enough nudity in her movie.

The point to make about this film is that it doesn't capture the feel of the comic strip. It also goes off in another direction. Kiss Me, Kill Me and Brenda Starr work because they kept the story and situations true to their strips. Friday Foster tries to force the material to be something else. It seems like the attempt was made to turn tame soap opera comic into an oversexed, action packed drive-in movie.


With that said, I enjoyed this more than the other movies Pam Grier made at this time because it is lighthearted and fun. Instead of the usually grim, angry and vengeful woman she usually played at this time in her career, she plays Friday as a funny and flirtatious career woman. Friday Foster fails as a comic strip adaptation, but succeeds as an entertaining movie.  

Thursday, October 17, 2013

SELECTIONS FROM THE HAUNTED HOUSE AND OTHER SPOOKY POEMS AND TALES

A co-worker gave me this Scholastic Records EP from 1970 entitled Selections from the Haunted House and Other Spooky Poems and Tales. The stories and poems are read by Paul Hecht and Carol Danell.
The back cover list the selections on the record.
Someone has uploaded both sides to You Tube. "The Velvet Ribbon" is my favorite.


Wednesday, March 6, 2013

HEAVY METAL IPOD PLAYLIST 1: EVOLUTION


I promised a heavy metal playlist and I deliver. Even though I made a disco playlist last time, my heart will always be with heavy metal. I was a huge fan of the "hair bands" of the 80s, as were many people in my age group. However, I was a hardcore headbanger and wanted to learn the history of heavy metal. I wanted to go back to the beginning of the genre and experience it to the fullest.

So let us go back to the prehistoric days of heavy metal as it evolved into one the greatest rock and roll genres ever. Turn on your black lights and lava lamps, stare at you posters on Barnabas Collins and Raquel Welch, read some Lovecraft and Vonnegut and contemplate taking down Tricky Dicky while you listen to these early metal tracks.

NOTE TO YOUNGER READERS: The definition of what qualifies as heavy metal has changed over the years. These songs were a one time considered heavy metal by rock music journalist and historians.  Don't try to argue with me on this.

"Wild Thing" - The Troggs
"I Can Only Give You Everything" - Them
"Shapes of Things" - The Yardbirds
"Come See Me" - The Pretty Things
"All of the Day, All of the Night" - The Kinks
"Talk Talk" - The Music Machine
"I Had Too Much To Dream" Electric Prunes
"We Ain't Got Nothing Yet" - The Blues Magoos
"Pushing Too Hard" - The Seeds
"Summertime Blues" - The Blue Cheer
"Fire" - Jimi Hendrix Experience
"My Fire Department Needs a Fireman" - The Shadows of Night
"You Keep Me Hanging On" - Vanilla Fudge
"Beacon From Mars" - Kaleidoscope
"White Room" - Cream
"I Can See For Miles" - The Who
"Pride of Man" - Quicksilver Messenger Service
"Oz Lee Eaves Drops" - The Other Half
"Beck's Bolero" - Jeff Beck Group
"No Fun" - The Stooges
"Kick Out the James" - MC5
"Man of the World" - Fleetwood Mac
"Dark Eyed Woman" - Spirit
"Evil Woman (Don't Play No Games)" - Black Sabbath
"In A Gadda Da Vida" - Iron Butterfly
"Born To Be Wild" - Steppenwolf
"How Many More Times" - Led Zeppelin
"Hush" - Deep Purple
"Into The Sun" - Grand Funk Railroad
"Song for Jeffrey" - Jethro Tull
"Did You See Her Eyes" - Illusion
"Funk 49" - James Gang
"Prodigal Son" - The Amboy Dukes
"No Time" - The Guess Who
"I Heard Her Call My Name" - The Velvet Underground
"I'm Going Home" - Ten Years After
"Nightmare" - Elias Hulk
"Gypsy Part 1" - Gypsy
"Back To The River" - The Damnation of the Adam Blessing
"I Don't Need No Doctor" - Humble Pie
 

Sunday, October 7, 2012

OCTOBER COUNTRY BY RAY BRADBURY 1970


This is a 1970 hard back edition of October Country by Ray Bradbury. It was with drawn from the O'Fallon Branch of the St. Charles County Library. I'm not sure where I got it. 
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