Showing posts with label Sci-Fi. Show all posts
Showing posts with label Sci-Fi. Show all posts

Saturday, December 2, 2017

AM I THE ONLY PERSON WHO REMEMBERS THE LOST SAUCER WITH JIM NABORS?


With the passing of actor-singer Jim Nabors this week, I found out that most of the media has forgotten one of Jim Nabors' TV series, The Lost Saucer.  The obituaries mention that Gomer debuted on The Andy Griffith Show, then went to the spin off Gomer Pyle USMC, and then, he hosted a variety show for two years after then end of Gomer Pyle. However, The Lost Saucer isn't mentioned in any of the articles or obits I read on line.

The Lost Saucer was a 1975 Sid & Marty Kroft Production made for the Saturday morning audience. Jim Nabors played an android name Fum. Ruth Buzzi played an android named Fie. Both come from the future to see what Earth was like in the past. The saucer malfunctions after they give a ride to a boy and his babysitter and they become lost in time. 

I remember watching this show as a child and enjoying it. Watching on YouTube, I still enjoyed it and I'm in my late 40s with two college degrees. Of course, there are people on YouTube and IMDB trashing the show. I guess that makes them feel more secure in their manhood or something.

On thing I forgot about was the way, Fum would start malfunctioning. Nabors would make goofy noises like a tape recorder messing up and Buzzi would whack him on the back to make him work properly again. And yes, ever so often Fum would say "GGOOOOLLLLLEEEE!!!," just like Gomer.

While everyone is remembering Jim Nabors as the folksy, country boy turned Marine Gomer Pyle, I choose to also remember Jim Nabors as the friendly, but slightly clumsy android from the future named Fum. Maybe some of the media writers, thought this was a generational hoax like Sinbad in a movie about a genie named Shazam, or as Gomer would say "SSSHHHHAAAAZZZAAAAMMMM!!!"

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Thursday, April 9, 2015

Female Comic Strip Character Movie No. 7: BARBARELLA



This is one of the post for this series that I have kind of dreaded, partly because 1) I've had to find time to watch this on a VHS tape I bought years ago 2) I know I'm going to get hate mail from trolls. IF YOUR COMMENT IS NOT ABOUT COMPARING THIS FILM TO THE ORIGINAL COMIC STRIP, IT WILL NOT GET POSTED.



Barbarella is the 1968 adaption of French artist Jean-Claude Forest's (above) famous, erotic, science fiction, comic strip about a sexually liberated female ingenue, who travels the galaxy trying to save the world. The comic strip appeared in 1962. It was later translated into several languages due to the controversy surrounding it. The English translation were sold through Playboy magazine. In all, Forest drew four graphic novels from 1962 to 1982.


Watching this film and looking at the various examples online, I find this film is the opposite of the problem I had with the Friday Foster movie adaption. Friday Foster was a family friendly comic strip turned into a sexually explicit, black exploitation film. The problem with Barbarella is there isn't enough sex to be a competent adaptation of the comic. Jean Claude Forest's original Barbarella strip it is loaded with bare breasts and hairy vaginas. Let's be honest, Jean Claude Forest draws a moist vagina like nobody can. This movie is almost family-friendly. In 1977, after Star Wars was released, this movie was re-released again in an edited PG version. The video versions have always been the original unedited film. Watching it now, I don't know what was edited out to make it PG, because this is almost a G rated film at times.


One thing that I should point out is that this movie over years has become a cult film.  It has its detractors, for the wrong reason and often by people who never watched it. It should be noted that even the stars hated this movie. Jane Fonda hates it, Marcel Marceau hated it, John Philip-Law hated it, David Hemings hated it. Basically everybody that was involved with it hated it later.


If you ever look at the post on Flashbak by Yeoman Lowbrow or Gilligan Newton-John on Retrospace, you'll notice he's also pointed out that the directors have a unique way of covering up the nudity and that's true. In the opening sequence, they use the opening credits and later on a cluster of rayguns. There isn't enough nudity in this movie!

Barbarella is attacked by children with snowball and dolls with razor teeth
Barbarella is put in a cage with mean birds
Pygar saves Barbarella and the Black Queen

The plot line in the film pretty well adhered to the comic strip's storyline in the three pages above. The ending is exactly the way the original comic strip ended. There was an effort to try to duplicate Jean-Claude Forest artwork (He was an adviser) and the world he created. The movie is very good eye candy. However, when you suck the sex out of this it really just becomes another science fiction movie. This film comes off as a cross between the TV shows Batman and Star Trek. Producer Dino DeLaurentis later made the Flash Gordon movie in 1980 and that pretty well copies Alex Raymond's artwork. Forest's style is unusual, so that may have been part of the problem. However, they should get a B for effort. The film has a sunshine pop-psychedelic soundtrack by Bob Crewe, which is augmented by the water guitar work of Vincent Bell.


Something I want to point out is the scientist Barbarella is sent to look for is called Durand Durand with a D at the end of his name. The rock band Duran Duran kind of misunderstood the name and named themselves after it. In the comic strip, he is a bearded man with an eye missing.

Barbarella and Diktor

One thing that's left out from the original story is Barbarella has an affair with a robot named Diktor, who has a drill bit for a penis.

Overall, it's not really that great of an adaption of a comic strip, however, adapting this comic strip to film would be very difficult. It would be an NC 17 or an X rated movie. The rating system wasn't in effect yet when this was made, so you wouldn't even have an X rating. If it had been VERY FAITHFUL to the original Barbarella comics and Jean-Claude Forest, it wouldn't even get made.

Sunday, March 8, 2015

IS MR. SPOCK THE GREATEST TV CHARACTER EVER?


What was it about Mr. Spock that captured the hearts and imagination of millions around the world? I'm not sure you would call him cool. He wasn't the streetwise kind of cool like the Fonz or Vinnie Barbarino, nor was he that slick, charming kind of cool like Napoleon Solo, but he was cool in a way that was different. He was smart and philosophical than everyone else on the Enterprise, so you might say that made him a nerd or a nerd's ideal. Let's face it, there were a lot of other things that made Mr. Spock popular. Even though he exist in an idealized future, his life, like ours, isn't perfect.

Yes, he was smart, had superhuman strength (which he rarely used), mind reading abilities, a self-defense technique that renders people unconscious, and didn't have emotions to weigh him down, but he wasn't good looking with those bangs, greenish complexion,  the windshield-wiper eyebrows and, of course, the pointed ears. He was the hero for those who weren't good looking. Mr. Spock was the epitome of the person who stood out in a crowd.

You might say, Mr. Spock didn't fit in with his other crew mates. He was in the shadow of the dashing, heroic and good looking Captain Kirk, who you might say was sort of the jock to Mr. Spock's nerd. If Spock was a nerd, you can continue using junior high and middle school archetypes by pointing out that McCoy was the redneck who was always picking on people. He constantly harassed Spock about his green blood.

Add to this another thing about the Mr. Spock character he was multiracial. We found out during the course of the show that Mr. Spock was the child of a Vulcan father and an Earthling mother. Since he wasn't full blooded of either kind, he also didn't fit in with other children on the planet Vulcan, as was shown in the animated series.

This week in 1967, NBC aired one of the first episodes to give us an insight into Mr. Spock, "This Side of Paradise." Granted, they were tidbits thrown out through dialog in a story in which Spock is reunited with a beautiful female colleague named Leila (played by Jill Ireland, who looks like my old flame, Eunice Moneymaker), who had a major crush on him. Spock, of course, paid no attention to her because love is "a human emotion."

The landing party is supposed to evacuate the people on this communal planet, due to a radiation contamination, however, they don't want to go because they are "happy" and "healthy." It turns they are under the influence of strange plants that spray spores causing a euphoria. When Mr. Spock is sprayed with by one of the plants (which looks like a plant called caster beans that my Grandpa Jones planted around his garden to keep moles out), he not only notices how beautiful Leila is, but also notices clouds and rainbows. "Before today, I could tell you how they form in the sky, but until now I never noticed how beautiful they look." He is very close to singing "Both Sides Now."  Mr. Spock also begins defying Captain Kirk's orders and climbing trees.

Besides seeing that Mr. Spock is awkward at love, we find out in this episode about his parents, and he has super strength. Captain Kirk finds that the spores are counteracted by anger. He brings Mr. Spock back to normal by angering him to the point of violence with some rather vicious insults about his looks (Mystery Science Theater 3000 opened one show with a parody of this episode). This and "Amok Time" are the quintessential Spock episodes.

Almost as soon as Star Trek debuted, Mr. Spock became a fascination with people. 93 KHJ Boss radio in Los Angeles ran a Star Trek contest, where the winner got to meet Leonard Nimoy on the set of Star Trek (See the above KHJ Boss 30 Countdown flyer). Cheer Laundry Detergent altered a future man character (played by Robert Rodan, who played Adam on Dark Shadows) to look like Mr. Spock.

 


I noticed on many comments on retro blogs, social and news media websites after the death of Leonard Nimoy that many people said they had a Mr. Spock toy, t-shirt, pajamas, or Halloween costume. Matter of fact, when I was six years old, I was Mr. Spock for Halloween. I made the costume, although none of the stores in Lebanon or Springfield sold the pointed ears, so I had to make due with some "giant" plastic ears. I also had a pair of tube socks with Mr. Spock's picture on them.


I even had this Star Trek coloring book with Mr. Spock wearing a red shirt on the cover. Don't worry, he survived the coloring book.

I think kids gravitated toward Mr. Spock over the other characters because he was the different one. They could be a Captain Kirk or a Dr. McCoy, but Mr. Spock was something they couldn't be...a highly intelligent being from another planet, who was one of the good guys.

Mr. Spock is probably the most complex characters ever created for TV. While he prides himself on being emotionless, he is far from being one-dimensional and boring. Bravo ranked him 21st on their list of 100 Greatest TV characters ever and TV Guide ranked him sixth on their list of 50 greatest TV characters. Personally, Mr. Spock is the greatest TV character ever. Live long and prosper.   


 






Tuesday, September 9, 2014

IT WASN'T A DREAM...IT WAS REAL!





Did you ever have a memory from childhood or your past of something that you were unable to confirm existed? For quite sometime, there were some things that I remembered from my childhood that none of the people around me seemed to remember. Over the years I had searched the Internet for information on this stuff and had turned up dead ends. Only recently have I had these vague memories verified as real.



1. Batman had a large friend that dressed like him named Fatman.  This story first appeared in Batman #113, but I probably saw it when it was reprinted in the 70s in Batman Family #4. Fatman was actually a circus clown, who performed in a Batman costume. He wound up saving Batman and Robin after gangsters locked them in a horse stable. Nobody believed me when I mentioned this character, but now I have proof.



2. The late 70s version of "Smoke, Smoke, Smoke That Cigarette" that featured impressions of Gomer Pyle, Archie Bunker, President Carter, Paul Lynde and others. I for along time was under the false belief this was the hit single version by Sammy Davis Jr. from that era. The reason I believed that was because it was a hit and Sammy often did impressions as part of his act. When I finally heard the Sammy Davis Jr. version, I was disappointed that there were no impressions. Early in the spring, KTXR's Wayne Glenn played on his Remember When radio show a 1978 version by a singer named Thom Bresh, whose father, Merle Travis, wrote the song "Smoke, Smoke, Smoke that Cigarette." That was it! Hearing it now, I realize the impressions are not great, but it is still fun to hear.


Cosmic Crystal from Paul Falcone on Vimeo.

3. There was a school kid made a sci-fi movie called The Comic Crystal that was shown on PBS and the TV show Zoom.  This was the one I really wanted to find out about. I was beginning to believe it might have been a strange dream I had during a high fever. A sci-fi movie made by a kid about another kid who finds a "cosmic crystal." He is attacked by zombies and saved by a cute, blonde, haired girl superhero in a yellow sweatshirt. This film also "borrowed" the sound effects from Star Trek. I thought they showed part of this on Zoom and there was a full version that aired once on the local PBS station as filler between programs. I had Googled it several times and came up with nothing. I tried again recently and found it. It was made by a guy name Paul Falcone and he recently posted it on the site Vimeo. Not only does it feature Star Trek's sound effects, but it features music by Pink Floyd (which I wasn't aware of when I saw this in elementary school). I can't believe how well this holds up today. I would love to hear from this guy. Paul, if you are reading this contact me at d4windsbar@yahoo.com.

I'm glad all of this has been cleared up. I was beginning to think that I was insane.   

Thursday, July 31, 2014

'Godfather of Makeup' Dick Smith dead at age 92

Johnathan Frid in House of Dark Shadows
Dustin Hoffman in Little Big Man

'Godfather of Makeup' Dick Smith dead at age 92; created Brando's Corleone, 'Exorcist' Blair

Two of my favorite Dick Smith creations are the old age makeup for Johnathan Frid in House of Dark Shadows and Dustin Hoffman in Little Big Man. He recreated the same makeup effect on David Bowie in The Hunger

Thursday, January 16, 2014

Saturday, November 23, 2013

50 YEARS OF DOCTOR WHO

I'm one of those American kids who discovered the original Dr. Who during the post Star Wars sci-fi boom years. Dr. Who was mixed in with Battlestar Galactica, Jason of Star Command and the revamped versions of Buck Rogers, Flash Gordon and Star Trek. Our Doctor was Tom Baker in his floppy hat and long scarf. He was a cross between Bob Dylan and Groucho Marx. Had a robot dog named K-9 and one of his female companions was a scantly clad cavewoman.

I had seen photos of the show in Starlog and other magazines. A TV Guide article on "The Five Doctors" episode sparked my interest in the show. I also had two classmates, both named Robert and both army brats, who talked about watching the show in Oklahoma. Luckily, I had a sister who lived in Oklahoma and I could watch it when I visited her, because as I mentioned in an earlier post about being a superhero fan growing up in the Ozarks, the cool shows were rarely seen on TV in the Ozarks. Dr. Who was seen on public television in Oklahoma, but not in the Ozarks.

Eventually, I was able to collect several VHS tapes of the episodes when a video store went out of business here in Springfield. My problem with the VHS tapes and even some of the reruns I saw in Oklahoma was the editing of them into one long episode instead of their original serial form. The cliffhangers are as important the mystique of Dr. Who as they were to Flash Gordon.

I have not seen very much of the new shows. I saw one with Christopher Eccleston, but I turned it off in the middle. It was the Doctor as I enjoyed him, however I have seen some previews of the David Tendant and Matt Smith episodes. I want to see them because they have the elements of the original show that attracted me to it back in the 80s.

And if you are wondering, I own a copy of the book picture above.  

 

Monday, October 14, 2013

THE CREATURE WITH THE ATOM BRAIN - Movie Review


The Creature With The Atom Brain is one of those movies that was once a staple of late movies on local TV and became a monster kid favorite. Like The Rats Are Coming, The Werewolves Are Here, the title just screams bad horror film. Some reviews and film history books try to make this 1955 thriller a statement on Cold War hysteria like The Thing, Invaders from Mars and Invasion of the Body Snatchers. I don't think the script of the movie was well thought out enough and if there is a political subtext it certainly doesn't make itself known.

The plot of the movie revolves around a gangster named Frank Buchanan (Michael Granger), who with the air of a Nazi scientist (Gregory Gaye), is using dead men, brought back to life with atomic power, to kill people responsible for having him deported. The atomic power makes the dead men impervious to bullets and gives them super-strength.

Forensic scientist Dr. Chet Walker (Richard Denning) and his partner, Capt. Dave Harris (S. John Launer), work to find who is controlling the dead men. Walker makes the connection between two victims and the killer's words, recorded on a victim's Dictaphone. "I said I would see you die and I will!" It turns out Buchanan told the jury that convicted him "I will see you die!"  When they start getting close, Dave is kidnapped and turned into an atomic killer. Luckily, he only succeeds in dismembering Dr. Walker's eight year old daughter's doll.



Besides being a classic Late Late Show fixture, this movie inspired the 1980 Roky Erickson song by the same name. Erickson incorporated re-enactments of the movie's dialogue including the first creature murdering mobster Hennesey and his goons shooting at the creature, as well as the news report of D.A. McGraws murder into the song. The lyrics focus on the discovery that Capt. Harris has become one the creatures ("Threw the doll right down, Ripped its guts out and threw it on the ground")


"Do you think he is one of them?"

Even though the script was by Curtis Siodmak, it seems like this could have been put together in a meeting of the marketing department at Columbia Pictures."Let's see what do people like in movies...I know, we will make a movie with gangsters, Nazis, atomic power, walking dead, soldiers and police shooting people. Okay, Siodmak, knock out a script on that."

While I don't believe this is an allegory about the Cold War, it is certainly a product of the Cold War and the 50s. You could almost do MST3K style riffs on the film, while satirizing the idiotic right-wing rhetoric found in memes on Facebook.

  • Remember the good old days when the paper boy delivered the newspaper to your door?
  • Remember the good old days when men slapped their wife's butt on the front porch in front of the neighbors?
  • Remember the good old days when women were too feminine and delicate to drink martinis?
  • Remember the good old days when our military would use all of their resources to find radioactivity in cities?
  • Remember the good old days when eight year old girls talked like four year old girls and they played with giant dolls instead of twerking in clubs all night?
  • Remember the good old days when zombies wore nice suits and had saddle stitching on their foreheads?
The Creature With the Atom Brain is a fun movie, because it can't be taken too seriously.


Wednesday, May 8, 2013

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