Tuesday, September 8, 2015

THEIR BIGGEST HIT WAS THEIR WORST HIT


In high school, I had the pleasure of becoming friends with two foreign exchange students from Germany. Frequently, there would be discussions about what did they do back home in Germany for fun. One of the hot topics in the mid-80s revolved around a recent hit record, "99 Luftballoons/99 Red Balloons" by a German singer named Nena. Both of these German teens said the same thing, they could believe Americans made Nena's worst song a big hit.

The truth is this happens quite a bit in the American pop chart, a major acts biggest hit is not the best. In many cases, it is a boring ballad or sappy love song, instead of an upbeat rocker or funky dance number. Not sure what causes this to happen. You could blame the industry I'm in, radio, since, in the past, many radio stations tried to be "safe" and overplayed the boring stuff. Of course, what eventually came to pass is "classic" or "oldie" formats wound up playing the good songs, because that is what the audience really liked. As for the sales factor, we can figure that out.

I'm going to give you a list of songs that were big hits that are annoying, depressing or just bad, but they were either number one or went platinum several times over or both of those, while a more enjoyable song didn't achieve these honors. We will start with the song that is playing while I write this at work and end, kind of full circle, with a German band (easy listening but still).

1. Foreigner - "I Want to Know What Love Is" - It is long, slow, depressing and repetitive. Songs that should have been the big hit: "Hot Blooded," "Double Vision," "Waiting for a Girl Like You," "Cold as Ice," "Urgent" and "Feels Like The First Time.

2. Aerosmith - "I Don't Want To Miss a Thing" - The sad truth of rock & roll is that when you give up drugs and booze, you wind up recording lame songs like this one. Part of the success could be attributed to the move Armageddon, a cover on the country charts and (yes) a ton of radio airplay. Songs that should have been the big hit: "Walk This Way," "Same Old Song and Dance," "The Other Side," "Dream On," "Kings and Queens," "Back In the Saddle" and "Love In an Elevator."

3. Cheap Trick - "The Flame" - Another slow, boring song. Songs that should have been the big hit: "I Want You To Want Me (live version)," "Surrender," "Dream Police," "Voices," "Gonna Raise Hell" and "Don't Be Cruel."

4. Stevie Wonder - "I Just Called To Say I Love You" - Another movie song and as mushy and sappy as a love song can get. Stevie has had several number ones, but this one is his biggest seller of all time. Songs that should have been the big hit: "Superstition," "Sir Duke," "Higher Ground," "Uptight," "Shoo-Be Doo-Be Doo Da," "For Once In My Life" and "You Met Your Match."

5. Journey - "Open Arms" - I have never figured out why people like this song. Even worse, why radio continues to force this one down our throats. Songs that should have been the big hit: "Any Way You Want It," "Wheel In The Sky," "Who's Crying Now," "Lights" and "Separate Ways."

6. Chuck Berry - "My Ding A- Ling" - If I was ranking these according to injustice, this would be number one. Consider all of his great, ground-breaking, pioneering rock & roll hits of the 50s and 60s, filled with those iconic guitar riffs, then realize this was his only number one hit. Songs that should have been the big hit: "Johnny B. Good," "School Days," "Sweet Little Sixteen," "Brown Eyed Hansom Man," "Nadine," "Maybeline" and "You Never Can Tell." (This list could go on for ever)

7. Styx - "Babe" - Many have said this was the first chink in the armor of Styx. The fact that it went to number one adds insult to injury. Songs that should have been the big hit: "Lady," "Come Sail Away," "Blue Collar Man," "Too Much Time On My Hands," "Miss America," "Suite Madam Blue," and "Renegade."

8. Marvin Gaye - "Let's Get It On" - This may shock you, but this song out sold "I Heard It Through The Grapevine." To me, this song is a bluesy guitar and Marvin yammering. Songs that should have been the big hit: "I Heard It Through the Grapevine," "What's Going On," "Mercy Mercy Me," "Inner City Blues" and "Sexual Healing."

9. Bryan Adams - "(Everything I Do) I Do It For You" - Slow, dull and painful. I've been to several weddings where this was used and each one ended in a divorce. Songs that should have been the big hit: "Run To You," "Cuts Like a Knife," "I Need Somebody" and "Summer of 69."

10. Bert Kaempfert - "Wonderland By Night"- You are probably looking at this and think "Why is this on here?" Two reasons: 1) This was the artist that got me to thinking about doing this post, and 2) I began this with a German singer, so I will end with a German orchestra leader. Kaempfert's music was used a lot in the 60s & 70s in radio and TV as background music because it was peppy and cheerful. The 60s version of The Match Game used his song "Swinging Safari" (which became a big hit for saxaphonist Billy Vaughn). It featured a playful brass section and a thumping bass guitar, not heard in most easy listening groups of the time. However, his only number one hit in this country was a slow, depressing instrumental called "Wonderland By Night." Many view its hitting number one in 1960 as an example of the state of music after the death of Buddy Holly and the payola scandals. Songs that should have been the big hit: "Swinging Safari," "Afrikan Beat," "Happy Trumpet," "That Happy Feeling," and "Zambesi." These songs can be found here on YouTube.


R.I.P JUDY CARNE



The audio, on this YouTube video, is from a 45 rpm novelty single Judy Carne recorded at the height of her popularity on Laugh-In, while the video is from a promotional film she a Laugh-In co-star Arte Johnson made for Sears Kenmore called Freeze-In.


R. I. P MARTIN MILNER

From one of my favorite movies of the 50s, The Sweet Smell of Success. I've often compared the main character, J. J. Hunsanker (Burt Lancaster), to some of the low-life characters I've been forced to work with and national personalities in radio. Also the one that I frequently made fun of on the old blog. Here Martin Milner's character rips J.J. a new one.I recommend you seek out this movie.



Sunday, August 30, 2015

DESDINOVA'S PODACST 4: MORE PSYCHEDELIC LIMITS



Another trip back to the Psychedelic Limits, which aired as part of the Midnight Snack on KSMU in Springfield, MO. in the late 80s and early 90s. This one includes jams from Pink Floyd, The Electric Prunes, The Monkees, Tintern Abbey, The Nazz, Oz Mutantes, Jefferson Airplane, Black Sabbath and Iron Butterfly. 

Sunday, August 16, 2015

CRAZY KNIGHTS: THREE OFF-KILTER MEDIEVAL MOVIES

You silly, English, bedwetting types.

There have been films about medieval times since the beginning of film. Knights have managed to stay popular into modern times. You will find more sets of toy knights in a toy store over the once popular toy cowboys. The films, usually, fall into the categories of Arthurian legend, Chaucer based, Sir Walter Scott based, and historically accurate (read: boring).

I've selected three films, two from the 70s and one from 2001 that uses rock songs from the 70s, that veer off from the typical medieval film into their own little kingdoms.

He told them about how he wanted to try a threesome.

1. TORTURE DUNGEON (1970):  All I need to say here is this is a knock-off of the Tower of London, directed by Andy Milligan. Of course, that wouldn't be much fun. Would it? This is the story of Norman, Duke of Norwich, a one-armed, tantrum-throwing, self-proclaimed "tri-sexual" (because he will "try anything"), who tries to take the throne of the kingdom of Terragon by killing everyone of the heirs to the throne ahead of him. Norman (Milligan regular Jeremy Brooks a.k.a Gerald Jacuzzo) looks like a cross between Freddie Mercury and Sonny Bono, while Terragon looks suspiciously like Staten Island.

(L to R) Peter the Ear, Peter the Eye & the nose of Peter the Nose

As with any Milligan film, the dialog is filled with snippy remarks and mentions of gang rape, incest, necrophilia, child abuse, and sadism of all sorts. Add to this a collection of characters such as the kingdom's council made up of Peter the Eye (Milligan regular Neil Flanagan), Peter the Ear and Peter the Nose. The last two characters are played by two uncredited brothers, wearing Beatle wigs, who would fit in more in an episode of The Sopranos than a Medieval drama. The most outrageous character is Magda the marriage councilor. She dresses like a butterfly and sings and dances, while trying to explain how to have sex to the young heroine (Susan Cassidy). The top portion of Cassidy's costume does come together, so her boobs tend to flop out during a chase scene.

She's giving advice on sex and she picked out that outfit.

TORTURE DUNGEON in many ways could be called Milligan's masterpiece, but I prefer to see it as Milligan's twisted fairy tale of Medieval England.

The late Heath Ledger

2. A KNIGHT'S TALE (2001): I realize some will say a movie from 2001 doesn't belong on a retro blog, but the director of this film felt that the 1370s were probably similar to the 1970s, so I think it can be reviewed here. Not only is this loosely based on Geoffrey Chaucer's A Knight's Tale, but Chaucer is a character (often buck naked) in this movie. This comedy-adventure not only spins a engaging yarn of a young man's quest to achieve his dream of becoming a knight, but satirizes the sports culture. The film is filled with turn of the Millennium pop culture references and a great soundtrack made up of 70s classic rock.

He looks like Carson and Letterman would throw him off

The film stars the late Heath Ledger as William, who has dreamed of being a knight since childhood. He comes of age as the squire for a knight. When the knight dies before a tournament, he takes his place using a phony birthright written by Geoffrey Chaucer. He not only befriends Chaucer (Paul Bettany), but Prince Edward and the feisty widow blacksmith, Kate, who makes him armor with a Nike swoosh on it. William falls in love with a noble woman, Jocelyn. He also makes an enemy of a arrogant knight named Count Adhemar, who is sort of a Medieval version of a 80s teen comedy preppy jock, but baring an uncanny resemblance to actor Oliver Reed.

One fun thing to watch for is a flashback, where an old man, who mocks young William's desire to be a knight. It is actor Berwick Kaler, who appeared in several of Andy Milligan's films (not TORTURE DUNGEON though) including, The Rats Are Coming, The Werewolves Are Here, The Body Beneath and as Tobias in The Bloodthirsty Butchers.

A KNIGHT'S TALE is fun and exciting, once you get past the fact that it doesn't take Medieval history very serious.

3. MONTY PYTHON AND THE HOLY GRAIL (1974): Only the Monty Python guys could take King Arthur and stand it on it's head. To tell much about this movie would give away this best gags before some people would see it. Everyone should see this before they die. If you don't watch it or rewatch it, we will be forced to say "NEE" to you.        

Sunday, August 9, 2015

THE LIVE VERSION WAS THE HIT VERSION


Many people believe rock and roll is best when it is live. I've actually been to very few concerts. I prefer studio recording because of the controlled atmosphere. There have been many instances in which the studio version bombed when first released or a song wasn't released on 45. The record company or another record company (after the group or artist left their original label) released a live version on 45 which took off. Of the 17 songs listed here, radio went back and began playing the original studio version on five of them.

"Ridin the Storm Out" REO Speedwagon (Studio version didn't chart in 1973. Live version went to #94 in 1977. Radio still plays live version because the lead singer is different and the tempo on the live version is faster.)

"Rock & Roll All Night" Kiss (Studio version went to #68 in 1975. Live version went #12 in 1976. Radio plays the studio version.)

"I Want You To Want Me" Cheap Trick (Studio version didn't chart when it was released in 1977. The much faster live version went to #7 in 1979. Radio plays the live version because of the faster pace.)

"Say Goodbye to Hollywood" Billy Joel (Studio version on 1976 LP Turnstiles. Live version went to #17 in 1981. Radio plays the live version.)

"I Do" J. Geils Band (Originally a track on the Atlantic LP Monkey Island in 1977.  The live single version was released in 1982 on EMI America and went to #24. Radio plays the live version, if they play it.)
 

"Show Me the Way", "Baby I Love Your Way" and "Do You Feel Like I Do" Peter Frampton (Studio versions didn't chart. Radio plays the live versions.)

"I Just Want to Make Love to You" Foghat (Studio version only made it to #83 on the chart in 1972. Radio plays the studio version.)

"Conquistador" Procol Harum (Studio version was the first track on their 1967 debut LP. Live version, recorded with the Edmonton Symphony Orchestra went to #16 in 1972. Radio plays the liver version.)

"Turn the Page", "Katmandu" & "Beautiful Loser" Bob Seger & the Silver Bullet Band (The studio version of "Turn The Page" didn't chart in 1972. "Beautiful Loser" made it to #103 and "Katmandu" made it to #43 in 1975. The live version did not chart, but became staples on radio.)

"Reelin & Rockin" Chuck Berry (Released as the flip side of "Sweet Little Sixteen." Recorded in London in 1972. Radio station play the original.)

"Folsom Prison Blues" Johnny Cash (Recorded on Sun in the 50s. Live version recorded at the real Folsom Prison in 1968. Radio stations usually play the original Sun recording.)

"Thank God I'm a Country Boy" John Denver (Studio version was a track on the 1974 Back Home Again LP. Radio plays the live version.)

"Maybe I'm Amazed" Paul McCartney and Wings (Studio version was on McCartney's first solo LP in 1970. Radio plays the studio version.)

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