Showing posts with label 93 KHJ. Show all posts
Showing posts with label 93 KHJ. Show all posts

Sunday, August 21, 2016

PEOPLE THAT MADE RADIO GREAT




I'll admit that I'm a day late on this, but August 20 is National Radio Day. Since I'm in the radio industry, I felt I should acknowledge that day. I've been planing this post for awhile. I like to talk about what makes radio great. Sadly, it has gotten me into trouble in the radio industry and at my job.

I used to get into discussions on statewide radio industry message board. Once there was a discussion on some of the greatest radio personalities and radio stations ever. I posted my thoughts on the subject. A person, who hosted a show on the radio station I worked for (he paid to be on the air), got upset because I didn't mention him or the radio station. He complained to my boss about my opinions and how he was slighted. The good news is this person is no longer in radio. The bad news is you don't want to know what this person is doing now.

This is a list of some of my favorite things about radio. This will be chronological to keep down arguments. I'm also keeping this national rather than local. I would love to do a post about local radio's influences on my career, but it wouldn't be of interest to very many people outside of Missouri. I'm sure the person mentioned above will be upset that his favorites are not going to be mentioned.



JACK BENNY - Benny was probably radio's first major personality and his show was a pop culture phenomenon. The catchphrases were everywhere, especially in the Warner Brothers cartoons. Benny created a persona for his radio show that was different from his real life self. Benny was a humble, very generous man, who was also a very competent violinist, but on radio, Benny played a conceded, tightwad, who was a horrible violin player. His show also created a strange fictional world that could have only exist on radio. He kept his money in an underground vault with multiple chains, steal doors, loud alarms, lions, gorillas, dragons and, most famously, a guard who had been on duty forever. He didn't know what a car, radio or movie was. Also Jack had his sarcastic African-American valet Rochester drive him around in worn out Maxwell car. The sound of the car was provided by Mel Blanc (he recycled the same voice for the 70s cartoon character Speed Buggy).


FRAN STRIKER - He was writer working at WXYZ in Detroit. He created The Lone Ranger and The Green Hornet.


In a 1970s poll, more people could recite the opening to The Lone Ranger than they could the Pledge of Allegiance.


ARCH OBOLER - Producer and creative mind behind the horror show Lights Out. Oboler used some graphic sound effects for people being electrocuted, monsters crushing their victims to death and chicken heart that grew to engulf a whole city.


ORSON WELLES - He made his first mark on radio as the voice of The Shadow and his playboy alter-ego, Lamont Cranston. He later created The Mercury Radio Theater of the Air, which produced a great version of Dracula. He produced and performed in a version of Heart of Darkness that Francis Ford Coppala says influenced Apocalypse Now. That would be enough, but his crowning achievement was his version of War of the Worlds, that mimicked radio news reports, blurred the line between drama and reality so well that it caused panic along the East Coast.


TODD STORZ - He watched a waitress use her tips to play the most popular hits on a juke box and thought "What if radio played only the top hits over and over?" He then created the Top 40 format at the exact birth of rock and roll in the mid 50s.



WOLFMAN JACK - Like Benny before him, Wolfman Jack created a persona. One of the longest lasting of the 50s era DJs with a werewolf howl, a raspy voice and hipster lingo. Really a quite guy named Bob Smith, who like to freak out radio station clients and young fans, by slipping into the Wolfman voice suddenly. George Lucas used this along with the real Wolfman Jack in American Graffiti. He then hosted the TV show The Midnight Special on NBC in the 70s.


GARY OWENS - A smooth talking, wise cracking DJ, who became famous outside radio and the announcer on TVs Laugh-In and the voice of cartoon superheroes Space Ghost and Blue Falcon.


BILL DRAKE - He took what Todd Storz created in the 50s and modernized it in the 60s. Consulting other radio stations on how to do it. He update the jingles from 40s sounding pop to a dynamic rock instrumental with vocals by the Johnny Mann Singers. He had radio stations remove the sales department from any decisions about programing, including getting rid of long form live ads. An tightened up the presentation to an art form. "AND THE HITS JUST KEEP A COMIN!"



THE REAL DON STEELE - Drake's big star at KHJ in Los Angeles. The epitome of loud, fast-talking radio DJs. Later appeared in the films Death Race 2000, Eating Raole, and Rock & Roll High School.


BIG DADDY TOM DONAHUE - The opposite of The Real Don Steele and Wolfman Jack, but belongs along side Storz and Drake. Began as a jazz DJ in San Fransisco, a general manager forced Drake to fire him because he couldn't talk fast enough. Donahue looked at the growing counter culture scene of San Fransisco Haight-Ashbury and created underground radio. Slower, quieter DJs playing long LP cuts. In the 70s, it morphed into AOR radio and influenced college/alternative radio of the 80s. His DJs included Sly Stone, Ben Fong -Torres and Howard Hessman from WKRP and Head of the Class.


BYRON MACGREGOR - Worked as a news director for the Drake consulted CKLW in Windsor, Ontario, a rimshot of Detroit, in the early 70s. Windsor had very little news, Detroit was coming unglued with so many murders that the morgue ran out of room. MacGregor's booming voice and envelope pushing "if-it-bleeds-it-leads" news writing became legendary. No truth to the rumor MacGregor lead a newscast with "A 5 year old boy was strained like spaghetti through the grill of a Buick today," but he did record a patriotic, spoken word record called "The Americans," that became popular again after 9-11-2001.


CASEY KASEM - Once referred to as "the man who taught America how to count backwards." The L.A DJ and cartoon voice over actor, created the syndicated radio show, The American Top 40 Countdown, where he played the hits, gave positive, uplifting stories about the artist, Billboard chart trivia, sappy, tearjerker dedications, and turned rock and roll into a kind of cross between sports coverage and a soap opera. He always closed with "Keep your feet on the ground and keep reaching for the stars."


DR. DEMENTO - A musicologist and music historian, who introduced audiences to some of the strangest novelty and comedy records ever made on his syndicated radio show of the 70s and 80s. He also is credited with playing homemade tapes by a listener named Weird Al Yankovic.   

And those are the people who not only made radio great, but inspired my career in radio.  

Sunday, March 8, 2015

IS MR. SPOCK THE GREATEST TV CHARACTER EVER?


What was it about Mr. Spock that captured the hearts and imagination of millions around the world? I'm not sure you would call him cool. He wasn't the streetwise kind of cool like the Fonz or Vinnie Barbarino, nor was he that slick, charming kind of cool like Napoleon Solo, but he was cool in a way that was different. He was smart and philosophical than everyone else on the Enterprise, so you might say that made him a nerd or a nerd's ideal. Let's face it, there were a lot of other things that made Mr. Spock popular. Even though he exist in an idealized future, his life, like ours, isn't perfect.

Yes, he was smart, had superhuman strength (which he rarely used), mind reading abilities, a self-defense technique that renders people unconscious, and didn't have emotions to weigh him down, but he wasn't good looking with those bangs, greenish complexion,  the windshield-wiper eyebrows and, of course, the pointed ears. He was the hero for those who weren't good looking. Mr. Spock was the epitome of the person who stood out in a crowd.

You might say, Mr. Spock didn't fit in with his other crew mates. He was in the shadow of the dashing, heroic and good looking Captain Kirk, who you might say was sort of the jock to Mr. Spock's nerd. If Spock was a nerd, you can continue using junior high and middle school archetypes by pointing out that McCoy was the redneck who was always picking on people. He constantly harassed Spock about his green blood.

Add to this another thing about the Mr. Spock character he was multiracial. We found out during the course of the show that Mr. Spock was the child of a Vulcan father and an Earthling mother. Since he wasn't full blooded of either kind, he also didn't fit in with other children on the planet Vulcan, as was shown in the animated series.

This week in 1967, NBC aired one of the first episodes to give us an insight into Mr. Spock, "This Side of Paradise." Granted, they were tidbits thrown out through dialog in a story in which Spock is reunited with a beautiful female colleague named Leila (played by Jill Ireland, who looks like my old flame, Eunice Moneymaker), who had a major crush on him. Spock, of course, paid no attention to her because love is "a human emotion."

The landing party is supposed to evacuate the people on this communal planet, due to a radiation contamination, however, they don't want to go because they are "happy" and "healthy." It turns they are under the influence of strange plants that spray spores causing a euphoria. When Mr. Spock is sprayed with by one of the plants (which looks like a plant called caster beans that my Grandpa Jones planted around his garden to keep moles out), he not only notices how beautiful Leila is, but also notices clouds and rainbows. "Before today, I could tell you how they form in the sky, but until now I never noticed how beautiful they look." He is very close to singing "Both Sides Now."  Mr. Spock also begins defying Captain Kirk's orders and climbing trees.

Besides seeing that Mr. Spock is awkward at love, we find out in this episode about his parents, and he has super strength. Captain Kirk finds that the spores are counteracted by anger. He brings Mr. Spock back to normal by angering him to the point of violence with some rather vicious insults about his looks (Mystery Science Theater 3000 opened one show with a parody of this episode). This and "Amok Time" are the quintessential Spock episodes.

Almost as soon as Star Trek debuted, Mr. Spock became a fascination with people. 93 KHJ Boss radio in Los Angeles ran a Star Trek contest, where the winner got to meet Leonard Nimoy on the set of Star Trek (See the above KHJ Boss 30 Countdown flyer). Cheer Laundry Detergent altered a future man character (played by Robert Rodan, who played Adam on Dark Shadows) to look like Mr. Spock.

 


I noticed on many comments on retro blogs, social and news media websites after the death of Leonard Nimoy that many people said they had a Mr. Spock toy, t-shirt, pajamas, or Halloween costume. Matter of fact, when I was six years old, I was Mr. Spock for Halloween. I made the costume, although none of the stores in Lebanon or Springfield sold the pointed ears, so I had to make due with some "giant" plastic ears. I also had a pair of tube socks with Mr. Spock's picture on them.


I even had this Star Trek coloring book with Mr. Spock wearing a red shirt on the cover. Don't worry, he survived the coloring book.

I think kids gravitated toward Mr. Spock over the other characters because he was the different one. They could be a Captain Kirk or a Dr. McCoy, but Mr. Spock was something they couldn't be...a highly intelligent being from another planet, who was one of the good guys.

Mr. Spock is probably the most complex characters ever created for TV. While he prides himself on being emotionless, he is far from being one-dimensional and boring. Bravo ranked him 21st on their list of 100 Greatest TV characters ever and TV Guide ranked him sixth on their list of 50 greatest TV characters. Personally, Mr. Spock is the greatest TV character ever. Live long and prosper.   


 






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