Tuesday, April 7, 2015

R. I. P JAMES BEST




Most people are remembering James Best for his role on The Dukes of Hazard. He gave an interview a few years ago and said he hated that show. He also said that he and Sorrel Brooke (Boss Hogg) were once fired for criticizing how bad the show was. BTW, MST3K pointed out that Best's character refers to his gun as his "Roscoe."

Sunday, April 5, 2015

HAPPY EASTER FROM DESDINOVA & DORIS DAY!!!


I picked this photo because Doris had a birthday today.

Female Comic Strip Character Movie No. 6: JANE


Artist Pett, Leighton-Porter and Fritz

When I started this series of post over a year ago, I thought I would have to skip over a 1987 film based on the racy British WWII comic strip Jane. I could only find the trailer on Youtube and a news reel about the strip's artist, Norman Pett, promoting the comic strip.


The good news is I found both the first Jane film and the 1987 film. Now the bad news, I found both the first Jane film and the 1987 film.

Click to Enlarge and see Jane's panties

Click To Enlarge and see Jane's panties

First off, Jane (which debuted in 1932 in The Daily Mirror with the cumbersome title of  Jane's Journal or Diary of a Bright Young Thing)  was kind of a one note comic strip, with emphasis on strip. The reason for its popularity in England and its failure in the United States was due to the running gag of Jane losing her clothes or undressing. Jane's dress would get caught in the doors on a train, doors on an elevator, a nail or shrubbery and they would be torn off exposing Jane's brassiere and granny panties. Surprisingly, both films include this gag.

Jane loses her skirt in the 1949 film

In the 1949 film, entitled The Adventures of Jane, Jane is played by Chrystabel Leighton-Porter, the model who posed for Norman Pett.  By her own admission, she said she couldn't act and the movie was awful. Interestingly enough, the producers try to pass her off as the real Jane.


The best way to describe this film is dry and dull. An old man, who is a fan of Jane's burlesque act, gives her a bracelet. Her boyfriend, Tom, is a humorless dick, in more ways than one. He gets jealous then tells her it is fake. He then brings up that he is on the trail of a gang of jewel thieves.

You would think that would make an exciting film, but it doesn't. This is an hour of wasted film. There is an interesting effect for a car wreck near the end of the film. This movie makes everything tedious. There is a beauty contest (featuring 3 or 4 girl prettier than Chrystabel Leighton-Porter, but that is just me) which is boring. Most of the last portion of the film seems to be a long sequence of Fritz the dachshund running for help, accompanied by stock music that was in some of the Famous Studios cartoons.

Even though I am a fan of British films, I only recognized two of the actors in this film. Carry On regular Peter Butterworth plays a drunk, who is supposed to be comedy relief, but it is too forced.

Mr. French plays French guy

Then there is the Frenchman who nearly cries when a customs agent marks on his suitcase with chalk. I said to myself, "WAIT A MINUTE! THAT FRENCHMAN IS MR. FRENCH!" Yep! Sebastian Cabot, star of Family Affair, Checkmate and Ghost Story, has a small part. He and Butterworth are the biggest stars in this movie.


Jane And The Lost City is much more fun, but still not an award winning film by any degree. This film was made in 1987 during a time in which Jane was experiencing a nostalgia revival. In the early part of the 80s, the BBC ran a Jane TV series, in which the action took place inside comic strip box frame.


This movie was probably made to compete with the film Brenda Starr, which had already been announced but was not released until 1989. The film is played as a comedy, and unlike the 1949 version is very funny at times. This time Jane is played by the incredibly cute Kristen Hughes (above), who looks great in granny panties and nylons.


Jane, working with her boss, The Colonel, go to Africa to look for the giant diamonds of the Lost City, in hopes to get them before the Nazis' top agent, Lola Pagola (Maude Adams). After their plane crashes, Jane, The Colonel and his valet, Mr. Toombs, are rescued by Jungle Jack Buck, played by Sam J. Jones (Flash Gordon, The Spirit, Ted). Jungle Jack is an improvement over Tom the Dick, as Jones plays Jack as a smiling, would-be Indiana Jones.


One could make the complaint that this tries too hard to be funny. There is are Nazi triplets, all played by Jasper Carrott, who comes off as a poor man's Rowan Atkinson. The Lost City's Leopard Queen turns out to be a girl Jane knew from college. The film is also filled with references to films such Casablanca, Raiders of the Lost Ark, To Have and Have Not, The Mummy and Goliath and the Sins of Babylon. Jane loses her clothes more in this film, including a scene where a monkey tears them off.


Obviously, I recommend the 1987 film more. It is actually more enjoyable. Now let me leave you with a photo of both movie Janes together and fully clothed, during the making of the 1987 film.
     

Friday, April 3, 2015

Female Comic Strip Character Movie No. 5: BLONDIE


Hard to believe that after a year hiatus on this subject, I'm giving you two in a row. I thought this would be the hardest for two reasons: availability and viewing pleasure. Thanks to Youtube, I watched this for free, as well as a few others in the series.

I remember seeing these at various times on WTCG/WTBS from Atlanta, and later on they were run on KSPR in Springfield, MO on Sunday afternoon. I was afraid that seeing this again after all those years would I would say to myself, "This sucks! I thought this was so wonderful in my childhood. I must have been a moron!" Truth is, I enjoyed seeing this again.

The 1938 film, Blondie, was the beginning of a long running series of films based on the popular comic strip, that is still in newspapers today. Most of the movies I've reviewed have been based on continuity strips rather than gag-a-day comic strips. The fact is Blondie started out as a continuity strip and also part of a short lived fad called "pretty girl" strips. She was a ditzy blonde flapper, who liked to party. I realize I'm going to upset some people with this next statement, but the "pretty girl" comic strips were the 20's version of some of the reality shows on cable TV.  Before we had Paris Hilton, Tila Tequila, Lauren Conrad, the Kardashians, and the girls of Jersey Shore, the funny papers had Tillie the Toiler, Winnie Winkle, Boots and Her Buddies, Dixie Dugan, Ella Cinders and Dumb Dora. Several of these characters were drawn to look like actress Louise Brooks, just as Valentina would later.

Blondie, as well as another strip, Fritzi Ritzi, were part of this trend but survived long after because they were revamped. Fritzi Ritzi was joined by a little niece named Nancy, who became the focus of the strip. Under the name Nancy, the comic strip is still popular to this day.

From the first day of the strip Blondie was in love with a somewhat clumsy and goofy son of a railroad magnet named Dagwood Bumstead. When they finally married, Dagwood's father disowned him. From that moment until today, Blondie became the smart and well-grounded one in the relationship. It also dropped the continuing storyline for the gag-a-day format that it has today.


Blondie is played by the lovely Penny Singleton. Close your eyes during one of these movies and listen to her voice. If it sounds familiar, it is because she was later the voice of Jane Jetson on The Jetsons. She is very convincing as a beautiful young woman, who would do anything for her doofus husband.

Speaking of doofus husband, Hollywood could not have found a better actor to play Dagwood than Arthur Lake. His head is shaped like Dagwood's head is shaped in the funnies. Lake paved for actors such as Buster Crabbe, Tom Tyler, Ralph Byrd, Sam J. Jones, and, more recently, Ryan Reynolds and Ben Afleck to play more than one comic strip/book character in the movies. Lake had played Harold Teen in a silent movie of that popular comic strip.

However, the movie is stolen by Larry Simms, a four year old playing Baby Dumpling (now known in the comic strip as Alexander). He is hilarious in this first film and rather good in the others that I sampled. I'm sure some would be upset with a scene where he bashes a neighbor kid in the head with a large brick (Off camera, but still the suggestion would upset people).

This movies sets up a formula that worked in the rest of the series. Dagwood gets in trouble with Mr. Dithers (Johnathan Hale), who eventually fires him, then Dagwood gets involved in some other mess trying to win his job back, meets a beautiful woman, Blondie becomes jealous, but she eventually saves the Dagwood's butt.

The movies were made from 1938 to 1950. They were re-released to the theaters for several year and then syndicated to TV with an opening theme song, featuring two unknown singers, were added over the original credits. Also the opening featured a clip of Dagwood crashing into Postman Beasley and his yell "BBBLLLOOOONN-DDDEEEEE!," which may have been from the radio show, since Lake and Singleton played Blondie and Dagwood radio too.

Besides Dagwood running late and smashing into Postman Beasley, there is an appearance of one of Dagwood's famous sandwiches. One thing changed from the comic strip was Blondie's maiden name. In the movie, her mother and sister have the last name of Miller. In the comics, Blondie's family name was Boopadoop. Sometimes movies change things about comics for the best.

My only problem with this movie is an appearance by my least favorite actor of all-time, Willie Best. Ugh!

The Blondie film series is the forerunner of many of the early TV sitcoms. The humor and situations are identical. I realize someone reading this will go into one of those rants about "If only we had movies like this today the world would be a better place." Well, brace yourself for this, but in the early 90s, the artist behind Blondie, Dean Young (son of the strip's creator Chic Young), decided to update the strips look and content in the 90s. For many years, everything in the strip was drawn the same as it was when these movies were made, which may have been why they were still popular for years after their original run. From the 90s on the characters used cell phones and computers. Blondie wears slacks and started a catering business with her friend, Tootsie. Baby Dumpling now works at a fast food joint called Burger Barn. He and his sister listen to hip-hop. Yes, folks change has to come, so GET OVER IT!!!

As I mention, this film and most of the other films in the series are available on YouTube. The only trailer I could find is either from a re-release of the 50s or a TV promo for Blondie On a Budget. It is obviously a re-release because the voice over is by comedian Eddie Lawrence, who didn't become famous until the mid-50s and Rita Hayworth was not a major "promotable" star when this film came out. 





Tuesday, March 31, 2015

Female Comic Strip Character Movie No. 4: THE NEW ORIGINAL WONDER WOMAN



Last year, I started a series of reviews of films based on famous female comic strip characters. I put it on the back burner while blogging about other subjects, thinking I'll go back to it soon. Exactly a year and about a week after my last post on this subject, I'm back to the series.


Before people starting trying to argue here, 1) there was a newspaper strip based on this comic book from 1944 to 1945, 2) yes, this is a made-for-TV movie, but most pilot films for TV shows ended up being show in movie theaters over seas and 3) at this moment, this is the only live action film version of this character.

I'm going to start this off by giving this movie the biggest compliment of any comic book or comic strip based film could receive. The New Original Wonder Woman is the most faithful adaptation of a comic book superhero's origin story ever. No strange tweeking to make the movie realistic or give the character a motivation for being a superhero. This also looks like the scenes from the comic book origin.

The origins of this movie and the subsequent TV series is interesting enough to be a movie. It begins in 1966, when Wonder Woman comes up in the top five of a poll, commissioned by ABC TV, of comic strip superheroes Americans would want to see brought to television. Batman, Dick Tracy, and the Green Hornet were ahead of her. Producer William Doizer turned Batman and Green Hornet into weekly series and made a good rather good pilot for Dick Tracy, that sadly was not picked up. He made a short pilot for Wonder Woman that everyone is glad didn't make it.

For years this was available on bootleg collector videos, but is now on YouTube. It was probably not picked up by the network, because unlike the other three Doizer adaptations, this doesn't even try to be serious or faithful to the original concept of the character. Also, this version of Wonder Woman closer to a sitcom about a superhero from the producers of Get Smart called Captain Nice, that was on the air at that time over on NBC.


Beginning in the mid-50s, DC Comics began revamping their characters from the 40s. However, the ones that had remained successful through the 50s were changed last and very little was changed (Batman was given a yellow circle around that bat on his chest, Superman left the Daily Planet to be a TV newscaster and Green Arrow grew a beard to look like Richard Harris). Wonder Woman, however, got the worst end of it. She lost her superpowers, started wearing jumpsuits and became a judo expert. It was this version that spawned a 1974 pilot film staring Cathy Lee Crosby (That's Incredible) as a super-powered secret agent in a red, white and blue jumpsuit. The movie aired but was not picked up for a TV series. On top of that, these comics were not successful.

We can thank Gloria Steinem for bringing DC to its senses. In the July 1972 issue of Ms. magazine, she put a picture of the classic Wonder Woman on the cover with the caption "Wonder Woman for President." In an editorial, Steinem decried then current "powerless" version of Wonder Woman. She also put together a collection of Wonder Woman stories after DC refused to put out one, as they had for Superman and Batman. In January of 1973, DC brought back Wonder Woman in her original costume with superpowers and, in the fall of 1973, she was appearing on the cartoon The Super Friends.

Now back to this 1975 TV movie. It is obvious that the influence of the Batman TV series was involved. Of course, if you have read this blog very long, you know that is perfectly fine with me. An obvious tip off that this is going to be a lighthearted version of Wonder Woman is that two of the Nazi's are Kenneth Mars, who played a Nazi in The Producers and a German constable in Young Frankenstein, and Henry Gibson, who would later play a Nazi scientist in Brenda Starr and The Burbs (and an Illinois Nazi in The Blues Brothers).

They send off a Nazi pilot, played by Eric Braeden (formerly Captain Hans Dietrich of Rat Patrol and future Victor Newman on Young & the Restless), who gets into a dogfight with Col. Steve Trevor, played by Lyle Waggoner. Both men parachute after their planes are destroyed, the Nazi shoots Steve before landing in a school of circling sharks. Steve lands on Paradise Island, which is populated by a race immortal women known as the Amazons.The movie focuses quite a bit on Steve before introducing our main character, probably because Lyle Waggoner was well known thanks to being on The Carol Burnett Show.

Steve is discovered by Princess Diana (Lynda Carter), daughter of Queen Hippolyta (Cloris Leachman). The Queen says that once Steve is well enough to travel, he must be taken back to the United States. Diana offers to take him back. Her mother says no. She says there will be a contest to determine who is the best Amazon and the winner will take Trevor back to the USA. At the end of the Olympic-like contest, the winner reveals herself to be Princess Diana. Her mother agrees and gives Diana a red, white, blue and gold outfit to wear and an invisible plane.

I had to include a photo of Lynda Carter as Wonder Woman

Diana takes Steve to a hospital and manages to stop a bank robbery a few moments later. After the bank robbery, the newspapers dub her "Wonder Woman." She is hired by a sleazy talent agent (played by Red Buttons) for a vaudeville show, but figures out he can't be trusted (turns out later in the movie that he is working for the Nazis). She manages to become a nurse at the hospital to take care of Steve.


From there we go back to an original story involving a Nazi plot to bomb a military base. Most of this movie is based on stories that appeared in All Star Comics #8 and Sensation Comics #1. Much of the dialogue is word for word from these comics, including Steve thinking he was saved by "an angel." Also, she is first shown wearing the skirt from the first stories, although her mother tells her she can take it off if it "gets in the way."

The only major changes are that in the origin story, Steve Trevor's plane crashes on Paradise Island, where in the movie his parachute lands there. Also the crooked talent agent is named Al Kale. In the movie his name is Ashely Norman. I should also note that Steve Trevor's commanding officer is named Gen. Blankenship in the movie and TV series, while in the comics Steve and Diana worked for Gen. Darnell.

Now my major beef with this movie is they left out one of the more interesting aspects of the origin story from Sensation Comics #1. In the movie, Diana just shows up, in a nurses outfit, working at the hospital and taking care of Steve. In the comics, there is a great explanation of how she got to be a nurse and her secret identity. Wonder Woman finds a nurse crying because her soldier husband is going to be transferred to South America and she doesn't have the money go with him. Wonder Woman notices that when the nurse takes off her glasses, they look alike. She ask the nurse her name and she says "My name is Diana Prince" and Wonder Woman says "What a coincidence! My name is Princess Diana!" So they trade identities. In the next story, she takes a job working as Steve's secretary (which happens at the end of the movie).

I'm only going to write about the pilot movie, as the TV series ran three more seasons and eventually went off in another direction. The New Original Wonder Woman itself can stand alone as an adaptation of Wonder Woman and her origin, as well as one of the best comic adaptations ever.

Sunday, March 22, 2015

R. I. P JACKIE TRENT

Here is her obit from the BBC. She and Tony Hatch sang a sunshine pop masterpiece called "Gotta Get Away" in the pilot to the TV series The Persuaders. Here is the scene it appears in complete with retro cars.


Sunday, March 8, 2015

IS MR. SPOCK THE GREATEST TV CHARACTER EVER?


What was it about Mr. Spock that captured the hearts and imagination of millions around the world? I'm not sure you would call him cool. He wasn't the streetwise kind of cool like the Fonz or Vinnie Barbarino, nor was he that slick, charming kind of cool like Napoleon Solo, but he was cool in a way that was different. He was smart and philosophical than everyone else on the Enterprise, so you might say that made him a nerd or a nerd's ideal. Let's face it, there were a lot of other things that made Mr. Spock popular. Even though he exist in an idealized future, his life, like ours, isn't perfect.

Yes, he was smart, had superhuman strength (which he rarely used), mind reading abilities, a self-defense technique that renders people unconscious, and didn't have emotions to weigh him down, but he wasn't good looking with those bangs, greenish complexion,  the windshield-wiper eyebrows and, of course, the pointed ears. He was the hero for those who weren't good looking. Mr. Spock was the epitome of the person who stood out in a crowd.

You might say, Mr. Spock didn't fit in with his other crew mates. He was in the shadow of the dashing, heroic and good looking Captain Kirk, who you might say was sort of the jock to Mr. Spock's nerd. If Spock was a nerd, you can continue using junior high and middle school archetypes by pointing out that McCoy was the redneck who was always picking on people. He constantly harassed Spock about his green blood.

Add to this another thing about the Mr. Spock character he was multiracial. We found out during the course of the show that Mr. Spock was the child of a Vulcan father and an Earthling mother. Since he wasn't full blooded of either kind, he also didn't fit in with other children on the planet Vulcan, as was shown in the animated series.

This week in 1967, NBC aired one of the first episodes to give us an insight into Mr. Spock, "This Side of Paradise." Granted, they were tidbits thrown out through dialog in a story in which Spock is reunited with a beautiful female colleague named Leila (played by Jill Ireland, who looks like my old flame, Eunice Moneymaker), who had a major crush on him. Spock, of course, paid no attention to her because love is "a human emotion."

The landing party is supposed to evacuate the people on this communal planet, due to a radiation contamination, however, they don't want to go because they are "happy" and "healthy." It turns they are under the influence of strange plants that spray spores causing a euphoria. When Mr. Spock is sprayed with by one of the plants (which looks like a plant called caster beans that my Grandpa Jones planted around his garden to keep moles out), he not only notices how beautiful Leila is, but also notices clouds and rainbows. "Before today, I could tell you how they form in the sky, but until now I never noticed how beautiful they look." He is very close to singing "Both Sides Now."  Mr. Spock also begins defying Captain Kirk's orders and climbing trees.

Besides seeing that Mr. Spock is awkward at love, we find out in this episode about his parents, and he has super strength. Captain Kirk finds that the spores are counteracted by anger. He brings Mr. Spock back to normal by angering him to the point of violence with some rather vicious insults about his looks (Mystery Science Theater 3000 opened one show with a parody of this episode). This and "Amok Time" are the quintessential Spock episodes.

Almost as soon as Star Trek debuted, Mr. Spock became a fascination with people. 93 KHJ Boss radio in Los Angeles ran a Star Trek contest, where the winner got to meet Leonard Nimoy on the set of Star Trek (See the above KHJ Boss 30 Countdown flyer). Cheer Laundry Detergent altered a future man character (played by Robert Rodan, who played Adam on Dark Shadows) to look like Mr. Spock.

 


I noticed on many comments on retro blogs, social and news media websites after the death of Leonard Nimoy that many people said they had a Mr. Spock toy, t-shirt, pajamas, or Halloween costume. Matter of fact, when I was six years old, I was Mr. Spock for Halloween. I made the costume, although none of the stores in Lebanon or Springfield sold the pointed ears, so I had to make due with some "giant" plastic ears. I also had a pair of tube socks with Mr. Spock's picture on them.


I even had this Star Trek coloring book with Mr. Spock wearing a red shirt on the cover. Don't worry, he survived the coloring book.

I think kids gravitated toward Mr. Spock over the other characters because he was the different one. They could be a Captain Kirk or a Dr. McCoy, but Mr. Spock was something they couldn't be...a highly intelligent being from another planet, who was one of the good guys.

Mr. Spock is probably the most complex characters ever created for TV. While he prides himself on being emotionless, he is far from being one-dimensional and boring. Bravo ranked him 21st on their list of 100 Greatest TV characters ever and TV Guide ranked him sixth on their list of 50 greatest TV characters. Personally, Mr. Spock is the greatest TV character ever. Live long and prosper.   


 






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